Canadian tenor Daniel Auchincloss studied at the University of Toronto and the Royal Scottish Academy of Music and Drama. Since then he has performed with many important ensembles and orchestras including the Gabrielli Consort, Orchestra of the Age of Enlightenment, Bournemouth Symphony Orchestra, Royal Liverpool Philharmonic Orchestra, Boston Baroque, La Grande Écurie et la Chambre du Roy and the Salzburg Camerata, under conductors including Emmanuelle Haïm, Paul McCreesh, Stephen Cleobury, Gary Cooper, Diego Fasolis, Jean-Claude Malgoire, James Morgan, Sir Roger Norrington, Vassily Petrenko, Laurence Cummings, Christian Curnyn and Stephen Devine.
Opera includes Linfea La Calisto (Early Opera Company), La Pythonisse David et Jonathas and title role in Rameau’s Pigmalion (OAE), Apollo L’Orfeo (Capella Cracoviensis), title role Platée (English Bach Festival at the Megaron, Athens), title role Le Comte Ory and Bajarzet Tamerlano (New Chamber Opera), Police Inspector The Nose (The Opera Group), title role in Charpentier’s Actéon (Leeds Baroque), Nencio in Haydn’s L’infedeltà delusa (Potsdamer Winteroper), Don Basilio/Don Curzio Le nozze di Figaro (Atelier Lyrique de Tourcoing at the Théâtre des Champs-Élysées), Acis Acis and Galatea (Dunedin Concert at the Felicja Blumental International Music Festival, Tel Aviv), Mengonein in Haydn’s Lo Speizale (on tour with the Israel Camerata, Eumete Il ritorno d’Ulisse in patria (Boston Baroque/Iford Arts), Tantale in Charpentier’s La Descente d’Orphée aux Enfers (Early Opera Company at the Wigmore Hall), title role in Rameau’s Daphnis et Eglé (Le Siècle des Lumières). He recently made his Royal Opera House debut performing a number of roles in The Nose.
His many concerts include Evangelist in the first British performance of CPE Bach’s Matthäus-Passion, Monteverdi Vespers 1610 with the Netherlands Bach Society, Purcell’s The Fairy Queen with The King’s Consort in Vienna; a programme of Gabrieli, Grandi and Monteverdi with the Orchestra of the Age of Enlightenment; Rameau’s La Princess de Navarre with l’Ensemble Vocal Heinrich Schütz and a European tour of Purcell’s King Arthur and Dido and Aeneas with The King’s Consort conducted by Robert King.
His recordings include Bach Cantatas with I Barocchisti (Arte), Biber Requiem in F, Paride ed Elena and the Monteverdi Vespers 1610 with The Gabrieli Consort & Players (DG), Sacred Music of Claudio Monteverdi with The King’s Consort (Hyperion), Neukomm Missa Solemnis with La Grande Écurie et la Chambre du Roy (K617), The Fairy Queen with the Corodella Radio Svizerra (RTSI TV), Mozart Missa brevis, K.194 and K.275 with St. Albans Cathedral Choirs (Naxos).