Born in San Benedetto del Tronto, she completed her musical studies graduating in piano and singing. After winning various international lyric competitions (Marsala, Ostra, Budapest) she makes her debut in 1997 as Alice in Falstaff at Teatro Filarmonico in Verona.
She immediately starts appearing in all the most important Italian Opera houses: Rossini Opera Festival (Marianna in Signor Bruschino and Roggiero in Tancredi conducted by Gianluigi Gelmetti directed by Pier Luigi Pizzi), Teatro Massimo in Palermo (Mozart’s Die Zauberflöte), Rome Opera (Monica in La Fiamma (Respighi) conducted by Gianluigi Gelmetti directed by Hugo De Ana, Olga in Giordano’s Fedora opposite Placido Domingo and Giulietta in Les contes of Hoffmann), Teatro Verdi in Trieste (Dalinda in Mayr’s Ginevra di Scozia recorded live by Opera Rara within the celebrations for the theatre’s bicentennial; Orlowsky in Die Fledermaus, Venus in Offenbach’s Orpheus in the underworld, the title role in Costa's Scugnizza, Anna Elisa in Paganini and the title role in Kalman’s Grafin Mariza for the Operetta Festival), Teatro Donizetti in Bergamo (Ghost Caffè, a contemporary work by Carlo Galante), Teatro Rendano in Cosenza (Amelia in Rendano’s Consuelo).
A regular guest of the Wexford Festival, she appeared there as Monica Respighi’s La Fiamma, Delia in Gomes’ Fosca and the title role in Massenet’s Sapho.
From 2001 she starts a more international career singing Mimi (La Bohème) and Amelia (Un ballo in maschera) in Wiesbaden, Odabella (Attila) at the Opèra de Montpellier and Lecce, Desdemona (Otello) in Detroit, Leonora (Trovatore) in Lima, the title role in Norma in Giessen, Juliette (Les contes d’Hoffmann) and Mimi (La Bohème) in Karlsruhe, Nedda (Pagliacci) in Trieste, Musetta (La Bohème) at the Glyndebourne Festival.
On the concert platform, she opened the 15th Settembre Musicale in Modena accompanied by M° Magiera and she has often interpreted the Feste Musicali in Bologna, city where she also appeared in Rossini’s Petite Messe solennelle with the duo Canino-Ballista. With Vivaldi’s Gloria she appears at the Saint Riquier Festival, accompanied by the Solisti di Bologna in Beethoven’s 9th Symphony at the 23rd Cantiere dell’arte in Montepulciano and with Donizetti’s Requiem in Bergamo under Gianluigi Gelmetti.
Her recent engagements include Carmen in Giessen, Salerno, Savona, Messina, Toulon, Karlsruhe, Turin directed by Calixto Bieito, Marseille; Norma (Adalgisa) in Mannheim and Bologna; Verdi’s Un giorno di regno (Marchesa) in Nancy; Contes d’Hoffmann (Giulietta) in Karlsruhe and, directed by Lindsay Kemp, in Peralada, San Sebastian, Santander and Cordoba; Donizetti’s Maria Stuarda (Elisabetta), Mercadante’s Il Giuramento, Werther (Charlotte), Cavalleria rusticana (Santuzza), La Favorita (Leonora), Pacini's Maria regina d'Inghiltterra and Gomez's Fosca in Giessen; The Merry Widow at Teatro Petruzzelli in Bari; Le Roi d’Ys (released on dvd Dynamic) and Ariadne auf Naxos (Komponist) in Liége; Edgar (Tigrana) at Teatro Regio in Turin and Bologna; the world premiere of Tutino’s The Servant in Macerata; a Recital in Tokyo, The saint of Bleecker Street and Rossini’s Stabat Mater at the Opéra de Marseille, Cavalleria rusticana (Lola) at La Scala with Harding and Martone as well as at San Carlo in Naples conducted by Pinchas Steinberg.
Among her future engagements: La Traviata (Flora) at Teatro alla Scala in Milan conducted by M° Daniele Gatti and directed by Dmitri Tcherniakov for the opening of the 2013/14 season.